0xbt

This refers, Cavell says, to the director’s "digging to unearth buried layers of the psyche", sensing that "these constructions have the sensation of reconstruction - as of anything lost or broken". This materials, "almost unbearable", for Benayoun (15), is accompanied by an intertitle: "Let us assume of these factors constantly and talk of them by no means." In a way, as Herbert Eagle says, it is a verbal text around which Sweet Movie revolves. The material, absolutely organic, referent was regularly regarded as inadmissible. On the 1 hand, sugar is offered in a kind that is purely natural, and in its multiple concrete representations, in the picture of Descartes’ piece of wax. But on the other hand, Makavejev tells us "this is not sugar", but a mirage of sweetness whose truth is in convert alienation (the client society) and a perverse and murderous ideological mystification (what the groundbreaking perfect and the USSR turned less than Stalin). Corpses have to moulder, to be eaten by worms, to flip into bouquets and fruits or simple dust and we have to have an understanding of and share in this process. 20) Corpses as entities have an ambiguous position around the globe, these not acknowledged and "laid to rest" are usually perceived as obtaining magical-harmful energy.