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Italian essayist Gaetano Prampolini wrote that "Selena's voice projected a sonorous warmth and joyfulness" in the course of his assessment of Selena's cumbia recordings. In his critique of the remix album Enamorada de Ti (2012), Stephen Thomas Erlewine of AllMusic wrote that Selena's music ended up "rooted in the '90s and audio that way". Matt S. Meier wrote in his guide The Mexican American Experience: An Encyclopedia (2010) that Selena exhibited "contagious electricity" for the duration of her concerts and mentioned she displayed "heat, enthusiasm, and sexuality" though exuding a "down-to-earth persona of the healthful younger woman next doorway". Because of her alternatives of outfits and dance moves, she was named by her enthusiasts as the "Mexican Madonna". Mexican Americans in Texas wrote vociferously to the newspaper. A.B. wrote more and more cumbia-motivated songs for Ven Conmigo (1990) Ramiro Burr of Billboard claimed Selena and her band had "evolved a rhythmic design that shown its increasing prowess for catchy cumbias these types of as 'Baila Esta Cumbia' and the title track".