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On their November 17, 1966 debut, they pretended to be the panel of an imaginary "Oz Film Festival": Bergman was movie critic Peter Volta, "writing a history of planet cinema a single body at a time" Ossman was Raul Saez, maker of "thrown camera" films, who experienced just received a grant to roll a 70 mm film digital camera down the Andes mountains Austin was Jack Love, generating "Living Room Theatre" porn films like The Nun and Blondie Pays the Rent and Proctor was Jean-Claude Jean-Claude, creator of the "Nouvelle Nouvelle Vague Vague motion" and director of a documentary Two Weeks With Fred, which lasts a complete two weeks. The Firesign Theatre was the brainchild of Peter Bergman, and all of its materials was conceived, created, and performed by its customers Bergman, Philip Proctor, Phil Austin, and David Ossman. Peter Bergman and Philip Proctor achieved whilst attending Yale University in the late nineteen fifties, the place Proctor researched performing and Bergman edited the Yale comedy magazine. Philadelphia: Temple University Press. Harvard University Press. p.